Tuesday, July 14, 2009

Magic Squares


















Austria and Germany were made of magic squares. This one, part of the new Kaiser-Wilhelm Church, built to heal the old one halved in a 1943 bombing, was a slow-motion traffic light for us. 2 days later it marked the first stop on a treasure hunt for Finni's Father's long dead punk/metal loving cousin Franco: the green neoned ice-cream shop La Fontana steps below.













I was 16 going on 17, where the 54 winter hours I've spent watching the Sound of Music coalesced into a beautiful summer morning, waking up in the alps. "Soon a duet will become a trio!" Our first Austrian friend.



















Our first day in Berlin began between the squares of the Holocaust Memorial - popped up like heaviness from nowhere - after a night reconnecting with Oberlin composer friend Jeremy Bernstein, who gorgeously ordered Thai in German. My stylish plastic nose bandage is courtesy of an Italian door post who I shared some words with the week before. The incident left me in the hospital with beautiful emotions rising like fog from my legs, and the desire to orchestrate my songs for the next album staring me down. I really felt like the body is nothing, and we are all connected. Later that night, I ate a fig from a winery tree and was so grateful nothing was broken.



















Berlin is 1/2 a city from the past, 1/2 from the future, and 1/2 Williamsburg Brooklyn. I know that's 3 1/2s, but it's right for this almost imaginary city.


















The Debutante Hour showed up breathless at the Down by the River Festival to the bright music of Crazy for Jane, who I was slowly recognizing from the hallways of my Chicago high school. Jeremy's sweetheart raved about a square for fashion finds, so after bathing in Debutante harmonies, we got on the U-Bahn and hopped through mini-rainfalls to find it. Long tired L-shaped trainrides back to Jeremy's, about-facing to trudge to a delectable white-leather lined nouveau German restaurant. It was in the same square!! Only a 10-minute walk!



















An imperative spark our final morning to search for Franco. The neatly typed out address we had forgotten about in the 2-day Berlin whirlwind led us to the other side of the city, back to the glistening mosaic, and the soda-fountain below where Franco worked when he was last heard from in yearly postcards. The Italian owner emerged reluctantly from the hidden gelato depths to kindly tell us that Franco was alive and had a child, and worked at this pizza place - go there. The womanly voice on our Italian car navigator swung us through a grand tour of Berlin monuments and we pulled up. A jovial pizza maker told us "no, Franco works at the sister pizza parlor - go there." Back in the car like a movie, and I laughed "it'd be so funny if the restaurant was our magic square!" And at the last curve of the navigator, there we were. On the corner of the square at a pizza joint we had passed so many times without knowing. Rushed inside, and covered with tattoos there was Franco, ball of dough in hand.











Off to Wetzlar, where we met up with the Debutantes for saffron-lit paella before our sets at Cafe Vinyl, wettened by bacon-tasting beer and eyes still emotional from the morning. Fell asleep in a sunflower covered room in a house from 1650. Every room was different.










































2 days of driving and a night of less-than-perfect-camping wiener-schnitzel brought us back to Padova, where the drum brushes were left behind at the Debutante's last minute No-Shoes recording session. They had to use little BluBrooms for our BluRadio show!













Finni as a zen zombie in The Debutante Hour Zombie video. I co-star as his pristine zombie wife.












My project with brilliant Italian Pianist/Singer Debora Petrina, NAKeD (NientAltroKeDonne, Nothing Else but Women) in Senigallia's Notte Bianca (White Night). The city was open all night, and we got to play a Yamaha grand at 2 am. Here's our kickass drummer, Cristina Atzori, who we picked up in Bologna on the way. Acclaimed contemporary dancer Nicoletta Cabassi of Parma graced the stage.



















Wearing Debora's dress, I played my new song Lucertole, comparing lizard-embossed Italian floor tiles to a magic-square hand puzzle and facing an inner untrustworthiness, as she dropped marbles on the strings. A beautiful week. The bandage comes off Thursday.

Wednesday, June 10, 2009

Gardenias/Tubes

As New York starts to fade off my skin, the browning gardenias fall off my new Padova street’s walls, making extra room for me. And new pink flowers peek through my gate, like they’re trying to talk. At the end of the fence, the scent of two men stripping paint brings me right to the 19th floor window in Chicago's north side, as my Dad melted thick kitchen colors, prepping our apartment to become 1 and a half instead of just 1. I feel this expansion.


The week of London shows was a push - pushing sound past an inflammation in my voice, pushing keyboards through crowded Tubes (grazie Finni!). But the music got out, and here are some notes on the exhilarating Lustretour shows:


















Scaledown at The King and Queen: Joined on saxophone by the incredible Andy Williamson and the 3 beers he kindly carried up the carpeted pub stairs (one from Edinburgh, an essence of the 2005 Fringe tour he brought me over for, where we first played together in the mirrored Spiegeltent). Transported in a set by Katie English (aka Isnaj Dui) on her handmade electric dulcimer.









Andy lives on a boat! Next day walked under a giant table and chairs at the Tate Modern then barbequed on the Thames boat where Andy lives, where I wore lettuce for a hat.













Sunday our gorgeously host Roshi (thank you Roshi!) had her birthday party on a riverboat. After being hypnotized w a gin and tonic to the beautiful music of Graham Dodwell (Dids, Gagarin), I played songs about signatures and orange-shaped heartache facing backwards over the rolling Thames water.















A cosy basement night in Electroacoustic Club's The Slaughtered Lamb. Blown away by exquisite guitar playing of Alan Lacroix.













Genuinely a highlight of the trip was Andy taking us to Steinway showroom to rehearse. It was like playing jewelry.













This musical devil in a red dress stopped to take it all in at a pub on the road.



















After the release of playing on a real piano at Ray's
Jazz Shop, I snuck into the B's to buy a Kate Bush biography.













The famous 12 Bar where I got bonked on the head by my own keyboard during setup and wobbled through the first song on accordion. I had one of those cartoon headbumps for a few days, which made me feel animated. The super high stage puts you halfway between the balcony and the floor, so you get to look up and down while you play. A nice music writer took a picture of me with his stuffed tiger.



















Live with Roshi on Resonance FM's The Other Woman with the upbeat radio stylings of host Ruth Barnes. Hear our collaboration on Roshi's transcendent version of traditional Iranian song Rachid Khan exclusively on The Other Woman's myspace.













Roshi and me climbing the Resonance gate.



















The week ended wildly at the experimental Klinker Club, hosted by the wonderful Hugh Metcalfe and his Cabbage Hat. Last 2 times I did shows at The Klinker there were sets by The Fuckoffs and Fuck Off Batman. This time it was just Amy Fucking Kohn, happily joined again by Andy Williamson on sax. He's got such a natural feel for my songs. I was really moved by the poetry before me, and the appreciative, thoughtful audience.

































Conquered a high mic stand by removing my heels.













A too generous lift home from the soaringly talented Eska. You've GOT to hear her sing! Listen to Eska's Steppin' Out cover. Could anything make me happier? Maybe her new album, set for the fall. She's on tour these days with the unstoppable Matthew Herbert. Late night talks with Roshi, Finni and Eska over oatmeal biscuits and tea got me inspired for experiments I want to try for my next, extra-lustrous album!



























Arrived in Padova on the stroke of my birthday. Do you know Story Number 3 by Ionesco? The daughter climbs in her parent's morning bed to hear their stories of the night before - endless puppet shows, theater, dinner, and then another puppet show, a concert, more theater.. My birthday was this night! 2 puppet shows (1st one I got to hear my music for Il Brutto Anatroccolo, and second one I enjoyed a loud Tanti Auguri a Te sung by 200 Italian children!), 4 set-up and take-downs, a beautiful pineapple torte, a rehearsal, an upside-down solar system, and finishing with a half pizza. Bello(w)!

Welcome to my blog, Amy